Martin Eder’s paintings bounce back and forth between dreamy animal still lifes imbued with fantasy and overtly sexual lolita models in curious poses.
It is the combining of the two in many of his works that implies deeper satirical meaning, with cats and fish dancing around girls on a swirling dreamscape.
At once a mockery of fine art and a prime example of the best of it, his work treads the line of double entendre carefully and deftly.
Eder’s Idyllic paintings tease viewers into deeper contemplation and reflection on their underlying messages; often by teasing or surprising them with unexpected content.
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